What I Learned from "The Actor's Business Plan"
For this week's blog I wanted to reflect on and share what I
learned from some reading I did in a book called "The Actor's Business
Plan: A Career Guide for the Acting Life," by Jane Drake Brody. It is a
book I have to read for a class I am taking as a musical theater major where we
learn about how to sustain ourselves as performers in the real world. While
everything I'm writing about is specifically about my experience as an actor,
there is wisdom everyone can use about navigating the real world or entering a
career.
Brody tells actors
they need to put in as much work in their real lives as they do for the shows
they perform in or the acting classes they participate in. This involves
research and determining what you want and need out of your life and career.
For many actors it is hard to balance the two and they want to prioritize their
work above relationships with families, friends, and romantic partners. I have
definitely been guilty of letting my drive for theater blind me of the
importance of these types of relationships. In high school, I would always be
at rehearsal, auditioning for a next show, auditioning for college programs,
taking voice lessons or waiting tables to afford the lessons/college
auditions/gas to take me to all of the above, and grew distant from my friends
at home and family members. I relied on the friends I’d make in the cast I was
in at the time to fulfill my social tank, but would have to constantly tell my
family I couldn’t make it to someone’s graduation party, birthday party, or
even family reunions. Looking back at this time in my life, I can admire how
hard I wanted to work for what I love, but I regret not spending more time with
my family and friends before leaving for college.
Brody also made a great point by challenging me to think of what
I have to offer as a gift. I am the only person that looks like me, sounds like
me, moves like me, acts like me, thinks like me and has all the specific
qualities that makes me who I am. Therefore, if I think of what I have to offer
as a gift, then I will be more likely to find myself in a position to offer
that gift to the world rather than if I thought of the world needing to give me
something. This would have me going through life constantly begging for someone
to give me a chance. If I am confident that what I have to offer is a gift,
then I will not go through life constantly seeking validation through how much
success or acclaim I do or do not receive.
Brody also presented the idea of creating a
list of goals for different aspects of your life including artistic dreams and
real life dreams like day jobs, money, relationships,
education/self-improvement and community service. She made it clear that you
should be honest with yourself when evaluating these categories, and to not limit
or judge yourself when writing down what you really want. Later on you can look
at these goals, and realize what obstacles stand in your way of reaching these
goals and figure out how to overcome them, but you shouldn’t let a seemingly
insurmountable potential obstacle stop you from acknowledging what you actually
desire.
One part which really resonated with me in the midst of a pandemic was her asking actors to think about the question, “If there were no theaters, films, TV shows or other entertainment outlets, what would you be happy doing?” when considering what day jobs we might want to have. This book is from 2018, and I don’t think she imagined actors having to face a reality where all of these entertainment outlets are actually closed.
I think the kind of
honest, organized planning Brody described can help everyone be content with
life in whatever career path they choose to go down. It is important for
everyone to balance their work and relationships and find different types of
fulfillment.
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